everybody in that community in those somebody who lost a loved one, and at the tops market in east buffalo. it is just a tragedy that we will deal with, and in the way that we do. and the way we have before. and it s just a horrible familiarity to this ritual which we re going through now. yeah, i mean we are a country that has an incredible problem with mass shootings. we also have an incredible problem with political violence, particularly racially motivated, politically motivated violence. and that is something that we are never going to be new to, and it s not getting better, it s still getting worse. but it s very hard on these for days, particularly talking with people in that community, the tight-knit community who really are in a position when they know someone who was affected. we re gonna have some of the people who know somebody during this hour. thank you, rachel. thanks lawrence. thank you. thank you. i love buffalo the first day i arrived there in 1988,
inside with jen psaki starts now. good evening. chris hayes has a well deserved night off. this is a special edition of inside with jen psaki. the biggest danger to the world in 2024 is donald trump. not more, not a pandemic, not climate change, the former president and leading republican candidate. he s the biggest danger. and i ll don t take my word from it, i ve said versions of this before. that s according to the economist. in recent days, the former president elevated a call to addressed a judge and the prosecutor in his new york fraud case. in a mental institution, it compared his political opponents to, quote, vermin. what is really frightening is that his language is clearly intentional. on saturday afternoon, donald trump posted this veterans day message, pledging to, quote, root out the communists, marxist, facets, and radical left dogs that live like vermin within the confines of our country. that was a post, a written post. he then repeated that fascist rheto
ijust wonder if it continues a theme that i see in so much of your work over a very long time that is, trying to make visible people, communities, things, which are so often invisible to most of us. would that apply to what you ve done here? yes, i think i m trying to do two things, probably more than two things, but i m certainly trying to do two things. i m trying to make a set of artists, who are making really interesting work, more visible, and i m trying to show some of the things that those artists and i have seen, observed, discovered in manchester. rooted here in this place, so what do you think this exhibition tells us about manchester, its past and its present, that might not be familiar to even people who live here? well, i think they might be things that are familiar to people who live here. i see audiences as people who bring their stories to an exhibition. so an exhibition is a place where knowledge is exchanged. but most of the things we re talking about in t
lubaina himid, welcome to hardtalk. thank you. it s a great pleasure to be here at this exhibition, which you have curated. ijust wonder if it continues a theme that i see in so much of your work over a very long time that is, trying to make visible people, communities, things which are so often invisible to most of us. would that apply to what you ve done here? yes, i think i m trying to do two things, probably more than two things, but i m certainly trying to do two things. i m trying to make a set of artists who are making really interesting work more visible. and i m trying to show some of the things that those artists and i have seen, observed, discovered in manchester. rooted here in this place, so what do you think this exhibition tells us about manchester, its past and its present, that might not be familiar to even people who live here? well, i think they might be things that are familiar to people who live here. i see audiences as people who bring their stories to
lubaina himid, welcome to hardtalk. thank you. it s a great pleasure to be here at this exhibition, which you have curated. ijust wonder if it continues a theme that i see in so much of your work over a very long time that is, trying to make visible people, communities, things which are so often invisible to most of us. would that apply to what you ve done here? yes, i think i m trying to do two things, probably more than two things, but i m certainly trying to do two things. i m trying to make a set of artists who are making really interesting work more visible. and i m trying to show some of the things that those artists and i have seen, observed, discovered in manchester. rooted here in this place, so what do you think this exhibition tells us about manchester, its past and its present, that might not be familiar to even people who live here? well, i think they might be things that are familiar to people who live here. i see audiences as people who bring their stories to