i streaming exist. we are in a hurry, i am streaming exist. we are in a hurry, iam in streaming exist. we are in a hurry, iam ina streaming exist. we are in a hurry, i am in a hurry. streaming exist. we are in a hurry, lam in a hurry. this is streaming exist. we are in a hurry, i am in a hurry. this is why i call the opera i am in a hurry. this is why i call the opera business a jungle sometimes. the opera business a “ungle sometimes.i the opera business a “ungle sometimes. ., ., , sometimes. the opera world is evolvinu sometimes. the opera world is evolving rapidly. sometimes. the opera world is evolving rapidly. when - sometimes. the opera world is evolving rapidly. when a i sometimes. the opera world is i evolving rapidly. when a younger generation of artists have to embrace changes in the way opera is produced and enjoy. during lock downs, theatres were forced to close. after reopening, audiences have been cut back, production is pared down, and operas have been perform
you know, today we don t have time any more. before, we used to have time. cell phones exist, internet exists, streaming exists. we are in a hurry, lam in a hurry. this is why i call the opera business a jungle sometimes. the opera world is evolving rapidly. when a younger generation of artists have to embrace changes in the way opera is produced and enjoy. during lock downs, theatres were forced to close. after reopening, audiences have been cut back, production is pared down, and operas have been performed in concert form and streamed online. will this usher in a new era of creativity post pandemic? well, technology is already providing new creative possibilities for opera.
heard. somehow you can hear his soul through his voice. it has got this raw intensity, and yet incredibly flexible. i raw intensity, and yet incredibly flexible. , ., ~ flexible. i consider carrie ann matheson flexible. i consider carrie ann matheson my flexible. i consider carrie ann matheson my coach - flexible. i consider carrie ann matheson my coach but - flexible. i consider carrie ann matheson my coach but also l flexible. i consider carrie ann i matheson my coach but also my flexible. i consider carrie ann - matheson my coach but also my ears because matheson my coach but also my ears because she is one of the people in the opera because she is one of the people in the opera world that knows my voice the opera world that knows my voice the best the opera world that knows my voice the best. ~ ., ., , the opera world that knows my voice the best. ~ . ., , ., the best. what was it about squashing the best. what was it about squashing a the best. what was it about squa
bernheim on the thrill of live performances. bernheim on the thrill of live performances. bernheim on the thrill of live erformances. ~ . ., , ., performances. what we want is for eo - le to performances. what we want is for peeple to dress performances. what we want is for people to dress up performances. what we want is for people to dress up and performances. what we want is for people to dress up and come - performances. what we want is for people to dress up and come to . performances. what we want is for| people to dress up and come to see us, and people to dress up and come to see us, and come to the opera house and the concert us, and come to the opera house and the concert hall. the concert hall. what does the future hold the concert hall. what does the future hold for the concert hall. what does the future hold for young the concert hall. what does the future hold for young singers i the concert hall. what does the future hold for young singers in the concert
this is bbc news. we will have the headlines and all the menus at the top of the hour, straight after this programme. i ve been an opera fan for decades and i want to share my passion with you so i m on a mission to tell you about some of the names in opera who are making it fit for the future. superstar cecilia bartoli is the italian mezzo soprano who originally wanted to be a flamenco dancer. and peruvian born tenor juan diego florez is an icon but he wanted to become a pop star. big names today but are they prepared for the opera world of tomorrow? we had to start more with using technology and using streaming, for instance.