bernheim on the thrill of live performances.— bernheim on the thrill of live performances. bernheim on the thrill of live erformances. ~ . ., , ., performances. what we want is for eo - le to performances. what we want is for peeple to dress — performances. what we want is for people to dress up _ performances. what we want is for people to dress up and _ performances. what we want is for people to dress up and come - performances. what we want is for people to dress up and come to . performances. what we want is for| people to dress up and come to see us, and _ people to dress up and come to see us, and come to the opera house and the concert_ us, and come to the opera house and the concert hall.— the concert hall. what does the future hold _ the concert hall. what does the future hold for— the concert hall. what does the future hold for young _ the concert hall. what does the future hold for young singers i the concert hall. what does the future hold for young singers in the concert hall. what does the i future hold for young singers in an opera world that has been transformed by technology, social media, and demands for greater diversity? and, could the changes make opera better and more popular? let me take you to the opera. passionate singing.