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Excalibur and me - John Boorman s film revisited, 40 years on

Excalibur and me - John Boorman s film revisited, 40 years on
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The Top 10 Coolest Movie Swords (#5 - 1)

The Top 10 Coolest Movie Swords: #5-#1 Well, here it is, the second part of the Top 10 Coolest Movie Swords list. I really don’t have a better introduction than that. I have two more mega lists that I’m planning on doing, but I’m not sure if either one will be the next “Top” list or if I will do something else first. I think I might do one or two “one off” lists before another mega list. Or maybe I won’t. I don’t know. In case you missed the first part of this list, here is the link to it.

All That Glitters: Style as Substance in John Boorman s Excalibur

All That Glitters: Style as Substance in John Boorman s Excalibur The man, the myth, the legend. Excalibur (1981) begins, Uther Pendragon ( Gabriel Byrne) lies dying in the mud. The magician Merlin warned him that granting his wish would have consequences; that one night with Igrayne, the wife of his newly-won ally, would come at a price. As promised, Merlin arrives to collect Igrayne and Uther’s child: an infant of infinite promise, a future king who will succeed where his petulant father failed. With Igrayne’s shrieks ringing in his ears, Uther follows Merlin into the woods, begging for his son and blind to the ambush lying in wait.

Every Golden Globes Best Drama Winner Since 1952

Every Golden Globes Best Drama Winner Since 1952 By Joseph Bien-Kahn, Stacker News On 3/1/21 at 8:00 PM EST This year s Golden Globes were unlike any other in its storied history, which began in 1944 when the Hollywood Foreign Press Association gathered at the studios of Twentieth Century-Fox to celebrate the filmmaking achievements of 1943. Seventy-plus years later, the Golden Globes Awards show is the first to kick off the awards calendar, and after being delayed due to the COVID-19 pandemic, the 78th Golden Globe Awards aired remotely, with hosts Amy Poehler emceeing from L.A. and Tina Fey from New York City. Winners tuned in from their own homes, some in the traditional ball gowns and tuxes, others in their pajamas.

Hear me out: why King Arthur: Legend of the Sword isn t a bad movie

King Arthur isn’t just any old story; it is one of those foundational myths of English identity that make you groan whenever you hear someone’s doing a new version – like Robin Hood or Sherlock Holmes or Winston Churchill. (Next up is Dev Patel in David Lowery’s delayed Arthurian head-trip The Green Knight, and even as we speak, news is breaking that Zack Snyder is working on a “faithful” King Arthur retelling). Arthur’s re-emergence at a time of national upheaval, less than a year after the Brexit referendum, was almost inevitable. How Guy Ritchie would refashion the story was equally inevitable: this Arthur, played by Charlie Hunnam, is a street-smart wide boy to be found ducking, diving and exchanging blokey bantz with the low-lifes of old Londinium taaaaan. His mates have nicknames like Wet Stick, Back Lack and Goosefat Bill. Yep, he totally Ritchies it up.

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