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The story of Glasgow's built heritage that's been left to rot

Glasgow city centre is constantly changing wit new multi-million pound developments are taking shape from the River Clyde to Sauchiehall Street

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MOVIES: Jurassic World, too much, Hustle, a good one from Adam Sandler and Neptune Frost, Afro-Futurism and anticolonialism

Also: two films on women's rights, one in India, one watching Roe v Wade

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The Unsettling Kriya Trailer Will Make You Reconsider Ever Going Home With a Stranger

Boy meets girl, girl brings boy home, boy stumbles into a very involved death ritual surrounding the girl’s ailing father, and soon becomes an

India
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In Laila Aur Satt Geet, a woman's wandering heart serves as an allegory about Kashmir

Laila Aur Satt Geet (2020) Filmmaker Pushpendra Singh made his debut in 2014 with Lajwanti, adapted from a story by renowned Rajasthani writer Vijaydan Detha. Singh actually had his eye on another story by Detha, but its rights had already been sold. Kenchuli is about a married woman from the Gujjar community whose beauty attracts other men in her village and sets off storms within their hearts and hers. The Rajasthani-language version of the feminist tale, titled Kaanchli, came out earlier this year. Although Singh moved on to other projects – the feature Ashwatthama and the documentary Pearl of the Desert – he has finally returned to the story that he had hoped would be his first feature.

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