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Placebo was my liberation: I could do anything and be adored Kathryn Bromwich © Provided by The Guardian Photograph: Pat Pope/Rex/Shutterstock It was perhaps inevitable that I would fall for Placebo. Looking back, they were at the precise intersection of my main teenage interests: arty pretension, goth-glam aesthetics, and beautiful wounded men wearing black eyeliner. God knows what, at 15, I understood of their tales of sadomasochism and ketamine, of doomed romances and seedy underworlds. But their songs – filled with theatrical histrionics, angry guitars and quasi-profound religious imagery – seemed perfect to me. My teenage years were defined by a succession of intense musical obsessions, during which I would focus on one artist for months at a time. Each era was distinct and all-consuming, characterised by meticulously parsing lyrics and every interview I could find for information that might be helpful in the event of meeting them. For example, after

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