Im ana and a post doctorate fellow at history and public history at the new york e next program, the chinese lady, convoys in early ica last approximately 45 minutes, including 15 minutes for questions and answers at the end and now, i am delighted to introduce my speakers. Nancy davis, the curator emiritas at the Smithsonian National museum of american history. As a curator, she worked on exhibition focusing on material culture, asian influence on american culture, migration and immigration, and business history. Her scholarly work focuses on womens history, asian influence on american culture, and american trade she has a ph. D. In american studies from George Washington university in washington, d. C. And taught at the graduate level at numerous colleges and universities. Her book, that chinese lady, in early america, came out from Oxford University press in july two and thousand i10. She is currently working on a another book based on the english woman harriet 1834 to 1836 america.
Thats coming up next on booktv. Thanks for that kind introduction. Its truly an honor to be here at the museum of chinese and america, an institution that has done so much to increase public understanding of not only the chinese immigrant experience in the United States, but also of asianamericans and the asian diaspora more generally. Im particularly, im an editor at the new york times, and i mostly traffic in words. And do careful editing. Im very attentive. I try to be to nuances of word selection, diction, syntax but also meaning. But im also very, very aware of the acute and enduring power thank you very much of images. And what was most striking to me in looking at these two books is the immense visual array of whats been amassed here which is really something quite distinctive. I dont think in any of the books that ive read that arabamericans, that asianamericans have i seen such a visually rich and, frankly, disturbing collection of images. So i think thats very impressive. Im
Dating back some 900 years to the time of Imperial China s Song dynasty, Ru official ware was noted for its lack of decoration and typically pale, duck-egg blue glaze.
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