everything was doom and gloom and thatcher. and the paintings were becoming more and more like an object in space. an image of an object in space and so, being rather slow coming from suffolk, i realised i should be making the things rather than making them. and quite often, i could be working on a painting for quite a while and realised it was a sculpture and realised it was a sculpture and vice versa. things are very funny. and vice-versa. things are very funn . , ., and vice-versa. things are very funn . y., and vice-versa. things are very funn . ., ., and vice-versa. things are very funn . ., ., , funny. and you took on a very ublic funny. and you took on a very public commission, funny. and you took on a very public commission, a - funny. and you took on a very i public commission, a monument stroke statute commission and in central london you did an intriguing public sculpture celebrating oscar wilde, you took on a commission to celebrate theirjoint. took on a commission
celebrate theirjoint. .. celebrate their “oint. .. that was not a h celebrate theirjoint. .. that was not a commission, i celebrate theirjoint. .. that was not a commission, the| celebrate theirjoint. trust was not a commission, the oscar wilde was a commission but scallop on aldeburgh beach. that is this extraordinary four ton of steel, and elaborate scallop shell shape right on the shingle beach.- scallop shell shape right on the shingle beach. yes, it is shattered the shingle beach. yes, it is shattered scallop. the shingle beach. yes, it is shattered scallop. i- the shingle beach. yes, it is shattered scallop. i think i shattered scallop. i think benjamin took classical music and rang by the neck and reinvented it so it is a shattering scallop shell but a friend of mine did come and said, i thought there was going to be a statue of him and i thought you were going to do it. and i said, vanessa, you up potty than ever because i remember about five years earlier, they had been