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darrell zanic. they are considered despotic mon monsters, and tough, tough businessmen, because they knew the things the public wanted were stars and stories. and they ran it like a factory. and they rolled those things out. four or five, six hundred of them a year. there were only a few large studios, and those studios made the movies, period. it was sort of like the mafia, in that they controlled everything. studio system operated a pool of aspiring talent, what they called stock contract players. being a contract player didn t mean that you were going to be a star. you were shuffled from one movie to the next. and often, you were an glorified extra, essentially. hollywood has always been a difficult place for women.
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