In Iranian filmmaker Asghar Farhadi’s films, reasonably straightforward set-ups a divorce, a missing woman, a newly lent apartment unspool such complex, cascading developments that it comes as no surprise that a found handbag stuffed with gold coins leads to countless fl uctuations of fortune an
In Iranian filmmaker Asghar Farhadi’s films, reasonably straightforward set-ups a divorce, a missing woman, a newly lent apartment unspool such complex, cascading developments that it comes as no surprise that a found handbag stuffed with gold coins leads to countless fl uctuations of fortune an