In Iranian filmmaker Asghar Farhadi's films, reasonably straightforward set-ups a divorce, a missing woman, a newly lent apartment unspool such complex, cascading developments that it comes as no surprise that a found handbag stuffed with gold coins leads to countless fluctuations of fortune and anguish in his latest, “A Hero.”
In Iranian filmmaker Asghar Farhadi s films, reasonably straightforward set-ups — a divorce, a missing woman, a newly lent apartment — unspool such complex, cascading developments that it comes as no
In Iranian filmmaker Asghar Farhadi's films, reasonably straightforward set-ups a divorce, a missing woman, a newly lent apartment unspool such complex, cascading developments that it comes as no surprise that a found handbag stuffed with gold coins leads to countless fluctuations of fortune and anguish in his latest, “A Hero.”
In Iranian filmmaker Asghar Farhadi's films, reasonably straightforward set-ups a divorce, a missing woman, a newly lent apartment unspool such complex, cascading developments that it comes as no surprise that a found handbag stuffed with gold coins leads to countless fluctuations of fortune and anguish in his latest, “A Hero.”