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Clooney s work behind, in front of camera helps The Midnight Sky soar | Movie review | Arts & Entertainment

We haven’t seen much of George Clooney lately, and we’ve missed him. He last starred in 2016’s largely disappointing “Money Monster” and directed the following year’s similarly lackluster “Suburbicon.” However, Clooney has had plenty of winning efforts in front of and behind the camera. - Advertisement - “O Brother, Where Art Thou?” “Ocean’s Eleven.” “Good Night, and Good Luck.” “Up in the Air.” “Gravity.” We could go on, but we won’t. Belonging up in the air with those films is “The Midnight Sky,” which is directed by and stars Clooney. Already in a limited theatrical run, it lands on Netflix Dec. 23.

The Midnight Sky Trailer: George Clooney Makes Contact – /Film

The Midnight Sky Gives Us a Harsh Look at a Broken World

Earth is dying, this much we know, and watching as civilization scrambles to find some kind of escape in George Clooney’s The Midnight Sky is both hard to digest and a beautiful feat of storytelling. Separated into two storylines one of Augustine (Clooney) stuck, isolated, on Earth, and that of a crew coming back from trying to find a planet for humanity to survive on the film is a look at the struggle of survival and the relationships we’re willing to sacrifice that for. Augustine, a scientist, decides to stay behind at his arctic station, not evacuating with the rest of the families and crew there, alone in a snow-filled place that is, until he finds a young girl named Iris (Caoilinn Springall) and is suddenly determined to get them out of there.

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