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Aesthetica Magazine - A 20th Century Lens

Juxtapoz Magazine - Mimi Plumb The White Sky @ Galerie Wouter van Leeuwen

Juxtapoz Magazine - Mimi Plumb The White Sky @ Galerie Wouter van Leeuwen
juxtapoz.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from juxtapoz.com Daily Mail and Mail on Sunday newspapers.

MFA widens the angle on women photographers - The Boston Globe

MFA widens the angle on women photographers By Cate McQuaid Globe Correspondent,Updated May 5, 2021, 12:30 p.m. Email to a Friend Adriana Lestido s Mother and Daughter from Mothers of Plaza de Mayo, 1982.Courtesy Museum of Fine Arts, Boston “Women Take the Floor,” the Museum of Fine Arts’s necessary and colossal penance for neglecting women artists for 150 years, has now welcomed photographers into the fold. A new installation, “Personal and Political: Women Photographers, 1965-1985” distills a period of sea change when photography was finally fully embraced as art. Photo galleries opened; collecting began in earnest. Women picked up cameras hoping the newly legitimized medium would provide better art-world traction than, say, painting.

A Blazing Suburban Gothic Imagines the American West on the Brink

A Blazing Suburban Gothic Imagines the American West on the Brink In the 1970s, Mimi Plumb began photographing adolescent life and the bleached-out landscapes of California. Her suspenseful new book foretells the disasters of the present and the future. Mimi Plumb, The first time I moved to California was in late summer 1998, when I was young and romantic enough to refer to the place by its nickname, “the Golden State,” and to believe that this was what people there called it. (They didn’t, it turns out.) Then fall began, ushering in the ban on the use of affirmative action in admissions at all campuses of the University of California; the impeachment of President Bill Clinton; and the tule fog, which engulfed the Oakland Hills like a fuzzy grey mold. I left within the year, but not before I experienced my first earthquake and learned that the empty white skies in nineteenth-century photographs of Yosemite were casualties of overexposure reminders of information lost more t

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