smugglers scramblers dollars gamblers big pocket pickers even gamblers when the message hit it was, put that down, what did he just say? put the record back. play that again. don t push me because i m close to the edge everyone knew the game of changed, and it really opened the floodgates for the next generation of rappers. it s not michael jackson when run-dmc came out, they were taking rock n roll music and putting it tid hip-hop and making something brand new out of it. you can t touch me with a ten-foot pole run-dmc kind of led zeppelinized hip-hop because it was fit for an arena, knocking the scoreboard down. schoolgirl leaving little skirt hanging way up the knee there was three young ladies in the school gym aerosmith had fallen off the map at that point. it brings them back into the fore and also breaks run-dmc in a much bigger way, because then you start to get more white kids
when i met you by the early 1980s, new wave is used to describe these sleek, dressy, cool bands that are coming out of england. don t you want me baby don t you want me, oh british artists all understood how to use visuals in a way that i think american artists didn t necessarily get that quickly. do you really want to hurt me do you really want to make me cry do you really want to hurt me is a good song. it s a song old people like and young people like. so i think the proof is in the pudding. buy it and eat it. mtv actually met with duran duran s managers and said, we re looking for kind of like james bond videos on location. and their managers are the ones that went to the band members and said, look, we really need
today as it was two decades ago. they come from britain. the music isn t anything like the famous group that came from there, the beatles. you ve got to understand, they were 20 years ago. we re a new generation. a new wave. you were working as a waitress in a cocktail bar when i met you by the early 1980s, new wave is used to describe these sleek, dressy, cool bands that are coming out of england. don t you want me baby don t you want me, oh british artists all understood how to use visuals in a way that i think american artists didn t necessarily get that quickly. do you really want to hurt me do you really want to make me cry do you really want to hurt me is a good song. it s a song old people like and young people like. so i think the proof is in the pudding. buy it and eat it. mtv actually met with duran
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big pocket pickers even gamblers when the message hit it was, put that down, what did he just say? put the record back. play that again. don t push me because i m close to the edge everyone knew the game of changed, and it really opened the floodgates for the next generation of rappers. it s not michael jackson when run-dmc came out, they were taking rock n roll music and putting it tid hip-hop and making something brand new out of it. you can t touch me with a ten-foot pole run-dmc kind of led zeppelinized hip-hop because it was fit for an arena, knocking the scoreboard down. schoolgirl leaving little skirt hanging way up the knee there was three young ladies in the school gym aerosmith had fallen off the map at that point. it brings them back into the fore and also breaks run-dmc in