Perspective issue. Host guest the behave as if we are immortal and that means we are willing to sacrifice time for the sake of the future achievements we are willing to delay gratification but that makes no sense when you are aware of time so it is a matter of perspective and its to to have the proper perspective for where you are in your place in time. Host its great to see you again. Congratulations on the book being mortal. I look forward to continuing the conversation. Guest thank you. Guest that was after words in which authors of the latest nonfiction books were interviewed by journalists, Public Policy makers and others familiar with their material. It airs every weekend on booktv at 10 p. M. On saturday, 12 and 9 p. M. On sunday at 12 a. M. On monday. And you can also watch after words online. Go to booktv. Org and click on after words in the book tv series and topics list on the upper right side of the page. Heres a look at the current top ten bestselling nonfiction books acco
Service to the American Literary community will go to ms. Zimmer we will learn more about that this evening. This is the booktv coverage of the red carpet of the National Book awards in new york city. After this you will see the actual board sarah ray. Awards ceremony. Good to see you. [inaudible conversations] spec on the red carpet right now is one of the finalists. Shes having her picture taken. Hopefully we can talk to her in just a minute as a cartoonist of the new yorker. Joining us now on their red carpet is David Steinberger president and ceo of Perseus Publishing Group and also chairman of the National Book foundation and. What is that . The National Book foundation is committed to increase the impact of culture what we are best known for is a National Book awards it is great to see her up there it is the first graphic novel or the first graphic works ever to win it is for her amazing book. Host did we just hear your vote . I dont have the vote we have judges we fly in from ar
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In two new collections published by McGill-Queen’s University Press, ancient myths, fables, and texts are transformed, revised, and dreamed of. Edward Carson’s movingparts is focused on the literary points of departure. Prompted by images from ancient myth and contemporary literary discourse, he moves swiftly into explorations of the ever-renewing novelty of language. The opening poem