In two new collections published by McGill-Queen’s University Press, ancient myths, fables, and texts are transformed, revised, and dreamed of. Edward Carson’s movingparts is focused on the literary points of departure. Prompted by images from ancient myth and contemporary literary discourse, he moves swiftly into explorations of the ever-renewing novelty of language. The opening poem
In two new collections published by McGill-Queen’s University Press, ancient myths, fables, and texts are transformed, revised, and dreamed of. Edward Carson’s movingparts is focused on the literary points of departure. Prompted by images from ancient myth and contemporary literary discourse, he moves swiftly into explorations of the ever-renewing novelty of language. The opening poem