In ‘The Colonial Public and the Parsi Stage’, Rashna Darius Nicholson is particularly interested in exploring how theatre impacted the life of Parsi women.
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Reflecting on the burgeoning field of feminist media histories and contemporary debates around Shanta Apte’s films, protests, and writing, along with sources that bring narratives from different women in the film industry, this paper argues that such discussions enable us to rethink questions of gender, creative labour, characteristics of film work, and the industrial milieu.
Little remains of the thousands of silent features made in early-20th-century India. That doesn’t make the story of how they came to be – and why they disappeared – any less interesting.