In an interview from years ago, the comedian and occasional music journalist Stewart Lee bemoaned, or perhaps merely pointed out, a cultural phenomenon. He noted the glut of Scottish power-pop bands like Teenage Fanclub who perhaps wouldn’t have come into existence had a sudden influx of Big Star LPs not appeared in their local record shops during the late 1980s. Speaking to a distancing from the local, Lee claims that the current age of immediate information exchange causes the same thing to occur in an accelerated and diversified state, as ideas and genres are blurred by dissemination on a much wider scale, far removed from the source. It’s not a reoccurring past, more an ever-present present. While the Lee anecdote might be misremembered on my part – which seems strangely apt – it at least helps to situate an understanding of where Black Country, New Road are coming from.
Giovane morì sul Vespucci, la madre: Mio figlio ucciso a bordo dalla mancanza di sicurezza
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Bpm di Ligonchio, correntisti sul piede di guerra
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