bliss category that that movie should fall into. because it s a movie no sane person would ever attempt to make. i love playing villains. i was a kid when the first walt disney films came out. there are dark moments in each of those that scare the hell out of me, so it s payback. remember me, eddie? when i killed your brother, i talked just like this! i got some moments in there that will be in their worst nightmares for the rest of their lives. the trick to making that blend of live action animation is that the live action actor has to believe it. bob always believed that the rabbit was there. it really is an amazing performance. i mean, it s really one that actors should study. because it was made before a lot of cgi existed, it was old-school moviemaking with physical special effects. who framed roger rabbit? is the most complicated movie ever made.
it s one of the greatest ending in the world. i m here in my own office with my feet up because i made it. not since the movie network has hollywood so brilliantly indicted the business of television like it does in broadcast news. the perfect modern anchor is played by oscar winner william hurt. so how is it that the star of this movie is neither the anchorman nor the network correspondent, but an actress who many of you will never have seen until now. okay, bobby. go back to 9:45:46, the sound byte in the alley. why were you in angola? please, bobby! we re pushing! it was the first time i had seen on screen a real female because she was flawed, and she was allowed to be human and different and irrascable, difficult, shrill, bossy, possibly bitch. there are a lot of words people use that are pejorative to women that jane craig could
(woman) wow, that s something. (burke) you get a whole lot of something with farmers policy perks. [echoing] get a quote today. we are farmers. bum-pa-dum, bum-bum-bum-bum
preferences. stephen sodderberg s sex, lies and videotape is a coming-out party for one of the most prodigiously talented filmmakers ever. why are you doing this to yourself? are you going to answer me? no, please, don t do that? why not? why not? i just want to ask you a few questions. why do you tape women talking about sex, huh? that was a great example of something that was totally brand-new and it was very, very low budget and i felt it was so special. and it was a point of view that we just hadn t seen before. to deal openly with voyeurism and sexual dysfunction on screen screen was stunning to people and it was a trendsetter then and it s a movie that mattered a lot. his first film was blood simple, which was a cross between a slasher film and a
gifted filmmakers, george lucas and steven spielberg. they re friends as well, so it was inevitable those two would join talents, and they now have in an adventure film to be released this week. george says, i have something called raiders of the lost ark. it s just an idea i have for a movie. he told me this story about this sot sort of marauding adventurer archaeologist with the hat and the whip. i committed to the movie based on a one-line story george told me. larry, george and i sat around for three days and basically made up the story from beginning to end. there s a line in raiders that means a lot to me. just buried there in the middle of a big action sequence. they ve lost control of the ark of the covenant, and indy says, no, i m going to get it back. and his friend says, how are you going to do it? i don t know. i m making this up as i go. that, to me, was what life