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Vivan Sundaram: An artist who came of age in revolutionary times captured contemporary turmoil

His artwork and installations evoked the distress of the Gulf War and communal riots and put the spotlight on migration, pollution, and homelessness.

Comment | Being young, Black and collecting art: my life in the art world

Frank Bowling – London / New York - FAD Magazine

Frank Bowling – London / New York - FAD Magazine
fadmagazine.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from fadmagazine.com Daily Mail and Mail on Sunday newspapers.

Serenading the apostles: orchestra performs under Raphael Cartoons at Victoria and Albert Museum for new film collaboration

No duds : James Barnor s photographs capture the rapidly changing societies of Ghana and the UK

James Barnor s Sick Hagemeyer shop assistant, Accra (around 1971) Courtesy of Autograph The British-Ghanaian photographer James Barnor made his start on the streets of Accra in pre-Independence Ghana using borrowed equipment. By 1953 he had started his own studio called Ever Young in the Jamestown area of Accra, which was visited by civil-servants, dignitaries, artists and newly-weds alike. The images he took there were ostensibly formal portraits but set against elaborate painted backgrounds and, thanks to his rapport with his sitters, they fizz with energy. “He said his studio was a little bit like a community centre,” says Lizzie Carey-Thomas, the curator of a forthcoming survey of Barnor’s work at the Serpentine North Gallery in London. “[The studio] was next to one of the most well-known hotels in Accra, and so he had a steady flow of people dropping in to see him all day and all night.” Visitors would come for a variety of reasons: p

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