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In “Lisa Frankenstein,” the new comedy written by Oscar winner Diablo Cody, Cole Sprouse plays a man (zombie?) brought back to life after a few good lightning jolts. He’s taken under wing by a counter-culture high school girl, Lisa Swallows (Kathryn Newton), who thinks he has a dreamy tombstone. She teaches him the finer points of ‘80s living (that’s the era it’s in) and dressing. Each time he’s zapped by a funky tanning bed, the monster becomes more refined.
In everything from music to gum, "Lisa Frankenstein" is a classic wallow in the trends of the time. Unfortunately, the story that drives it isn’t exactly an Acura Integra.
In “Lisa Frankenstein,” the new comedy written by Oscar winner Diablo Cody, Cole Sprouse plays a man (zombie?) brought back to life after a few good lightning jolts. He’s taken under wing by a counter-culture high school girl, Lisa Swallows (Kathryn Newton), who thinks he has a dreamy tombstone. She teaches him the finer points of ‘80s living (that’s the era it’s in) and dressing. Each time he’s zapped by a funky tanning bed, the monster becomes more refined.
In “Lisa Frankenstein,” the new comedy written by Oscar winner Diablo Cody, Cole Sprouse plays a man (zombie?) brought back to life after a few good lightning jolts. He’s taken under wing by a counter-culture high school girl, Lisa Swallows (Kathryn Newton), who thinks he has a dreamy tombstone. She teaches him the finer points of ‘80s living (that’s the era it’s in) and dressing. Each time he’s zapped by a funky tanning bed, the monster becomes more refined.