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Every Ocean Hughes s art of dying - Artforum International

DID VIRGINIA WOOLF drown herself in the Ouse because of the poetry of the act the river as a passage between life and death or because it seemed to her the most practical method available? Likely both. Rivers have always evoked otherworldly crossings. The Styx of Greek mythology, the Sai-no-Kawara of Japanese folklore, the west bank of the Nile of Ancient Egypt all were envisioned as gateways to the afterlife. There is something about the constancy of river water, traveling beyond sight or into the vastness of an ocean, that reminds us of our own impermanence. It’s comforting to render death

Four-part presentation highlights Every Ocean Hughes s interest in death, transitions, legacy, and queer life

A smart, funny, and timely Broadway revival of The Skin of Our Teeth at Lincoln Center Theater

A smart, funny, and timely Broadway revival of The Skin of Our Teeth at Lincoln Center Theater
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