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Underrated R E M : The Most Overlooked Songs From Every LP
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Rem - Lifes Rich Pageant (12 tracks) +Album Reviews +Used CD available for Swap
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The 10 Best R.E.M. Albums
R.E.M.’s career falls into three periods: the underground I.R.S. Records years, the Warner Bros. “wonder years”, and the post-Bill Berry output.
With the benefit of hindsight, we can break R.E.M.’s career into three rough periods: the underground I.R.S. Records years, the Warner Bros. “wonder years”, and the post-Berry output. Out of respect for the post-Berry content, we won’t need to damn the band’s last five efforts with faint praise. While difficult (if enjoyable) to rank the band’s ten best recordings, it should surprise few folks that the albums after 1997 don’t make the cut. Some albums that were monster hits have not aged especially well; another album entitled
(4 out of 5 stars) If it s true about stereophonical Kelly Jones bizarrely claiming Dylan s vitriolic `Positively 4th Street as his all-time favourite song (bizarre in-part because it s minor Dylan) then he should whooping with childish glee at Jim s wide array of barbed lyrical put-downs on `Insignificance , O Rourke s second `straight solo album. listening to you reminds me of a motor s endless drone/and how the deaf are so damn lucky from `Memory Lame , I ve travelled round the world/why am I talking to you , from another.That the album is being touted as a southern-fried rock album is confusing. It s Jim s rock album in the same way that Lifes Rich Pageant was REM s rock album; both labelled by their opening tracks. Only three songs rock and even then the lyrics are delivered in that familiar sardonic, unfazed manner, with the tunes themselves morphing restlessly into beatific rural melodies. The title track even appears like some High Llamas before it quickly tires of
); })() Then look at what the band delivered when they
did return. Gone were the chiming Rickenbacker guitars from Peter Buck and much of the driving rhythms of bassist Mike Mills and drummer Bill Berry. The sound had taken a decidedly acoustic turn, prominently featuring Buck s new interest in mandolin. And singer Michael Stipe was suddenly penning love songs in place of the political polemics and murky, impressionistic word jumbles of their previous albums.
Out of Time opens with Radio Song, a catchy-enough tune, but when rapper KRS-One jumps in to trade verses with Stipe, you know the band isn t concerned with what old fans think. They are emphatically following their muse.
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