Every time I see a Lisa Yuskavage exhibition, I’m excited to discover the passages of pure painting that the artist permits herself. In Rendez-vous, Yuskavage’s first solo show in Paris, there are such moments in the striped-and-scraped socks that the artist-model wears in The Artist’s Studio (2022), in the dollops of pigment lined up on a wheeled work table in Big Flesh Studio (2022), and—most delectably—in the lick of an apple that curls up toward a listless model in the lower right-hand corner of the same painting.