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Interview with the Egyptian Theatre Director Laila Soliman: Vomit – Until the Revolution Comes

Interview with the Egyptian Theatre Director Laila Soliman: Vomit – Until the Revolution Comes
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Prostitution in Tunisia: The big reveal

An art project exposes just how much the state controls sex workers in Tunisia. Such women not only have their freedom of movement restricted, they also face social isolation. Several brothels have been closed down since the Jasmine revolution. A report by Christina Omlin

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Art and revolution in the Arab world in 2015: Struggling against the restoration of order

Egypt's Al-Fann Midan (Art is a Public Square) festival, which took place for the first time in April 2011, was one of the most vibrant post-revolutionary spaces for public art in Egypt. But four years after millions of Egyptians took to the streets, the popular festival has disappeared. Marcia Lynx Qualey takes a closer look at the link between art and revolution in Egypt and

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At This Summer s Aix Festival, the Only Laughter Is Bitter

With two grim premieres among the offerings, Monteverdi’s sharp “L’Incoronazione di Poppea” was the highlight of a week of opera.

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Nancy Mounir on her haunting new album, Nozhet El-Nofous

BEIRUT: The phrase ‘session musician’ seldom incites an association with visionary artistic expression that carves its own place in the hearts of audiences. Nancy Mounir an enigmatic yet omnipresent feature of Egypt’s independent music scene certainly defies that logic. Mounir was a founding member of Egyptian metal band Massive Scar Era and has long collaborated with

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