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From the blockbusters that swept the board, like ‘Ben-Hur’ and ‘Titanic’, to the ones that scooped the five most important prizes, like ‘The Silence of the Lambs’, these are the films that have won the most Oscars of all time.
Ridley Scott’s new film confronts viewers with an unfamiliar paradox: it is both wildly unreliable and resolutely demystifying, simultaneously implausible and deliberately underwhelming. The costumes are exquisite, the sets magnificent, the cavalry charges thunderous. The execution of Marie-Antoinette (Catherine Walker) is spectacular. It is also set in the wrong place, at the wrong time, and with Napoleon in the audience, which he wasn’t.
Director Ridley Scott hacks history with “Napoleon,” his interpretation of the life of the early 19th century French Emperor. The film is highlighted by grandly staged and shot battle sequences