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Ancestral treasures shape contemporary designs in the hands of the jeweller 9 Jun 2021 From my desk, I earlier this year discovered Saras Sadan. Located several thousand miles from London, in the pink-painted Old City of Rajasthan’s capital Jaipur, Saras Sadan is the name given to the ancestral family home of Krishna Choudhary, a tenth-generation jeweller. To a video call, the Choudharys’ 18th century haveli makes for a backdrop of cinematic beauty: ranked among the best-preserved mansions of its kind, the treasure-chest location is made up of frescoed, colonnaded interiors and hidden courtyards. Across walls and ceilings, hand-traced scenes tell tales of romance, poetry and adventure; later, I learn that its motifs – Mughal rulers, Indian deities and numerous animals can all be named upon closer inspection – are painted using pigments derived from pulverised stones.

United statesUnited kingdomFrance generalCity ofKrishna choudharyBritish museumGemological institute of americaRoyal gemsIndian art historyGemological instituteஒன்றுபட்டது மாநிலங்களில்ஒன்றுபட்டது கிஂக்டம்பிரான்ஸ் ஜநரல்நகரம் ஆஃப்கிருஷ்ணா சவுத்ரிபிரிட்டிஷ் அருங்காட்சியகம்