He was caught breaking the speed limit seven separate times. Driving in london between april and november last year, the conservative peer was also caught speeding on two motorways, most recently in december in his hybrid electric car. December in his hybrid electric can he december in his hybrid electric car. He pleaded guilty to all the offences and was fined 5500 pounds and ordered to pay a surcharge of 2000 plus costs. Surcharge of 2000 plus costs. The governments been warned that the sales of heat pumps will need to increase dramatically to achieve Climate Change targets. The government wants to install 600,000 low carbon heat pumps annually by 2028, but the National Audit office said ministers had been too optimistic to think that target could be reached, despite the governments climate aims, only 55,000 heat pumps were sold in the uk in 2022. The independent public spending watchdog saying efforts to encourage people to install them have been slow because costs are high and Publ
So that was yes which premiered here in berlin in 2017 composed by Rebecca Saunders who has joined me in the studio welcome and thanks so much for being here. Now you talk about music having these physical and sensual presence. Sound is actually a material in your work how did you develop what i would call a sculptural approach to music its hard to say in a way but. With specialized. Specialized projects so i find it really fascinating to actually create an environment where the audience is inside the sound so often i missed. A lot of stage work so chamber where its. Pieces but it is fascinating to have the audience within the sound itself so i would have several pieces surrounding the audience and so you very part of the physical listening and performance situation so that piece that we just heard yes was inspired by the famous final chapter of James Joyces Ulysses the monologue of molly blum this very life affirming monologue tell us whats going on there in also in terms of this this
Me. So that was a yes which premiered here in berlin in 2017 composed by Rebecca Saunders who has joined me in the studio welcome and thanks so much for being here. Now you talk about music having these physical and sensual presence. Sound is almost actually immaterial in your work how did you develop what i would call a sculptural approach to music its hard to say in a way but. With specialized. Specialized stem projects so. And it really fascinating to actually create an environment where the audience is inside the sound so often i miss a little way they do right to a lot of normal stage works or chamber where sort of pieces but is fascinating to have the audience within the sound itself so i would have several pieces surrounding the audience and so you very part of the physical listening and performance situation so that piece that we just heard yes was inspired by the famous final chapter of James Joyces Ulysses the monologue of molly bloom this very life affirming monologue tell u