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Sky High, Currently Topping Spain s Domestic Box Office, Acquired by Netflix for Series Adaptation – Global Bulletin

‘Sky High,’ Currently Topping Spain’s Domestic Box Office, Acquired by Netflix for Series Adaptation – Global Bulletin Variety 12/30/2020 In today’s Global Bulletin, Netflix picks up the rights to Spanish feature “Sky High” for a series adaptation, French crime series “Balthazar” posts record audience numbers for TF1, Mexican filmmaker Juan Ernesto Regalado Morales receives this year’s Guillermo del Toro-backed Jenkins-Del Toro Scholarship, and French journalist Augustin Trapenard announces he’s leaving Canal Plus. ADAPTATION Netflix has acquired global rights to the feature film “ Sky High,” the leading Spanish film at the domestic box office over the holiday period, trailing only “The Croods: A New Age” and “Wonder Woman 1984” from abroad, and will develop the IP into a new original series.

[Review] Álex de la Iglesia s 30 Coins Tells Compelling and Unique Horror Tale of Biblical Proportions

[Review] Álex de la Iglesia s 30 Coins Tells Compelling and Unique Horror Tale of Biblical Proportions
bloody-disgusting.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from bloody-disgusting.com Daily Mail and Mail on Sunday newspapers.

Netflix compra els drets globals del film Hasta el cielo per fer-ne una sèrie

Netflix compra els drets globals del film Hasta el cielo per fer-ne una sèrie
ara.cat - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from ara.cat Daily Mail and Mail on Sunday newspapers.

Daniel Calparsoro «L èxit és d uns quants, els altres s han de conformar amb mirar»

Daniel Calparsoro «L èxit és d uns quants, els altres s han de conformar amb mirar»
elperiodico.cat - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from elperiodico.cat Daily Mail and Mail on Sunday newspapers.

Review: Sky High

Luis Tosar in a minor role. An aerial shot taken from one of the Cuatro Torres in northern Madrid has us looking down on a swarm of ant-like passers-by, symbolising our protagonists longing to elevate his social standing. From his home in the far-flung outskirts of the city, the distance to those gleaming skyscrapers seems insurmountable. This run-down suburb is a hotbed of violence, scheming, criminal masterminding and car pimping, home to a rough-and-ready wannabe mafia. In this respect, at least, Calparsoro’s film dovetails thematically with the quinqui aesthetic of flares, frenzy and trigger-happy violence, peopled with low-lives ready to prostitute themselves for a bit of cash, created by trailblazing filmmakers like

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