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America buried a lot of time capsules in 2020, so future generations will remember the pandemic even if we d rather forget it
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Asheboro event supports technical field employers educating youth
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The event was to launch this year’s play by the Kwasha! Theatre Company, a group formed to give graduates from the Market Theatre Laboratory their first professional job and a guaranteed salary for a year. Except that the latest batch of students graduated into a world where theatres were closed, audiences were banned and nobody knew how it would all survive.
Its members have explored digital opportunities, and worked on various Zoom events including some international cooperations. They recently launched what would normally have been a “proof we’re professional” stage show, but instead of filling an auditorium they turned Boris Vian’s absurdist play
Early on in the film the “white tiger,” the animal that the movie is named after, is used as a metaphor to describe someone rare and special. White tigers may only be seen once in a generation in the wild, and it is as rare as the gifts these lucky few people have to change their lives for the better. However, it’s another animal metaphor, one that takes on a much more sinister tone that colors the outlook of most of the movie.
Balram (Adarsh Gourav), the movie’s narrator and main character uses the image of a rooster coop to describe the structure of the indian society that he was born into. He describes for the audience a coop where hundreds of chickens are stored, living their lives unable to have any impact on the direction of their own lives. Even the roosters who can see other roosters being taken from the coop and slaughtered in front of their own eyes have no way to keep themselves from being next. Nor does it ever even occur to them that they could have the power