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John Pearce, Hamilton County s friend & political reformer

John Pearce, Hamilton County s friend & political reformer
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After body of missing Lodi man found near river, family awaits more information

The body of a Lodi man who had been missing for four weeks was found near the Mokelumne River last week.

United statesShangri laVan zantJacob vanzantTrevor thompsonJerry barrPatricia thompsonKeith thompsonLodi police departmentEighty teen centerGravity churchMokelumne riverOfficer jerry barrOne eighty teen centerShangri la asian bistroSushi bar

Stealing bases and hearts | Richmond County Daily Journal

Over parts of five decades, Robin and I have enjoyed a generous share of traveling. Lots of ball yards and more. We have walked Normandy’s WWII beaches…

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From David Hammons, a Tribute to Pier 52 and Lastingness

From David Hammons, a Tribute to Pier 52 and Lastingness Their artistic paths crossed like ships in the night. But at long last, two New York legends meet in “Day’s End,” an immortalizing homage by Hammons to Gordon Matta-Clark and art history. “Day’s End,” David Hammons’s site-specific sculpture in Hudson River Park, reimagines the vanished Pier 52 as an open-air pavilion.Credit.Simbarashe Cha for The New York Times May 13, 2021, 1:39 p.m. ET In 2014, the director of the Whitney Museum of American Art, Adam D. Weinberg, invited the artist David Hammons to tour the museum’s still empty new building. Weinberg remembers them standing together at the panoramic fifth-floor window overlooking the Hudson and talking about the history of the waterfront facing the museum, about what was there and what was gone.

New yorkUnited statesWhitney museum of american artHudson riverAdamd weinbergJerry barrAlvin baltropHammons whitneyGordon matta clarkAdrienne edwardsLos angelesAngela valerioDavid hammonsKellie jonesBronx museum of the artsOhio railroad company

Peter L Official on David Hammons s Day s End - Artforum International

Day’s End Day’s End, 2021. Rendering. “OUR STREETS ARE CALENDARS containing who we were and who we will be next,” wrote Colson Whitehead in a November 2001 essay about a New York still in the turbid wake of a different airborne cataclysm. “We see ourselves in this city every day when we walk down the sidewalk and catch our reflections in store windows, seek ourselves in this city each time we reminisce about what was there 5, 10, 40 years ago, because all our old places are proof that we were here.” Whitehead’s essay is perhaps most famous for its charming epigraphic rubrics for city citizenship (“You are a New Yorker when what was there before is more real and solid than what is here now”), but, at its core, it conducts a reckoning with the unique and personal aftermath of physical, material loss, while offering a token of consolation just as unique and personal: the lost city, forever fixed in individual memory a place we might carry with us and move through wh

New yorkUnited statesBattery park cityHudson riverThe whitneyNew yorkerColson whiteheadJerry barrRichard serraAlvin baltropRobert mapplethorpeGordon matta clarkAngela valerioKellie jonesDavid hammonsDawoud bey