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Review: Psychic Self Defense Is the Most Imaginative Show in New York

Normandy Sherwood s Psychic Self Defense to Open HERE s 30th Season

Sweet Thing: Alexandre Rockwell s family affair

Sweet Thing: Alexandre Rockwell s family affair
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Slow Machine: A distinctly downtown take on paranoid thrillers

Photo: Grasshopper Film If all the world’s a stage, and all the men and women merely players, then it stands to reason that “acting” is neither a craft nor an occupation, but rather a state of being. It’s certainly true for Stephanie (Stephanie Hayes), the elusive protagonist of Joe Denardo and Paul Felten’s Slow Machine, a struggling actress who is always performing regardless of whether she’s on the clock. She glides in and out of various environments, speaking in different accents and spinning detailed yarns about her background that are the stuff of exaggerated literary tragedy. It doesn’t seem to matter to Stephanie if people buy into her charade or not. The point is to build a character from within and bring them into the world so that they become real, a cross between quasi-Method research and an elaborate defense mechanism. It renders her entire reality slippery and sinister, but always filled with reckless excitement.

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