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Transcripts For KTVU The Eleven OClock News On KTVU FOX 2 20240712

Just 12 acres, but there facing elevated fire danger this weekend. Hello again, im frank somerville. And im julie haener with hot and windy weather in the forecast a fire weather watch goes into effect saturday morning. We get live coverage now from ktvu the debora villalon. Its believed landscaping work sparked todays fire. Reporter a mower, trimming high grass for fire prevention. But in the heat of the mitt day , all it took was a spark, setting off a big response and a lot of stress for residents who have artie been through so much. A firefight by air and ground north of santa rosa. It was out in about 90 minutes. 12 acres burned, but caused some outsized alarm, scorching the same area, even reprinting the scar of the huge tubs fire three years ago. I was angry. That i thought was anger. We just put this house together and moved in. Reporter this newhouse, occupied in only four weeks, replaces the one destroyed in 2017. To see fire racing at it once again it was 1053 days to build

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Beautiful Music NOW - Les Baricades Mïstérieuses

Beautiful Music NOW - Les Baricades Mïstérieuses
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Jean Rondeau Plays Bach & Scarlatti

Jean Rondeau Plays Bach & Scarlatti
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Critics' Choice: our favourite classical recordings of 2023

Gramophone’s peerless panel of writers choose their favourite recordings from those reviewed this year

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Jean Rondeau, Harpsichord

Part of Princeton University Concerts’ Performances Up Close series, audience is seated onstage alongside the musicians in an hour-long program. Whatever your preconceptions of the harpsichord may be, Jean Rondeau will undoubtedly shatter them all as he takes us to Parnassus, the mythological mountain home of the Muses. Leading the charge of a new generation of keyboardists (including as a founding member of the Jupiter Ensemble, which made a rousing debut in our 2022-23 season), he makes his inaugural PUC appearance with a program exploring the stunning range of the harpsichord. Through works spanning the seventeenth and eighteenth centuries much of it originally written for the piano this “champion of his instrument” (Le Temps) asks us to consider what piano repertoire might illuminate about the harpsichord, and what the harpsichord might reveal about music composed for the piano. As he explains is, “my idea was never to take some piano pieces and find a way to make them work

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