The twenty-five works on view in Diana Al-Hadid’s debut solo show at Kasmin present an artist at the height of her powers, practiced in aligning the behavior of her materials—primarily gypsum, bronze, steel, and linen pulp paint—with the conceptual contours of her message.
Radiography and reflectography can penetrate works of art layer by layer, telling us how an artist worked, and uncovering old paintings hidden beneath newer ones
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