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Remember Jean Arthur, relive New Hollywood and arrive in a harsh Danish Promised Land

Remember Jean Arthur, relive New Hollywood and arrive in a harsh Danish Promised Land
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Serge Daney s Cinema of Life and Death

The French critic and editor helped establish a critical vision of film that was both rigorous and revolutionary.

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10 best movies at MIFF 2021

Advertisement This year’s Melbourne International Film Festival is due to kick off on August 5 in cinemas (restrictions pending), with online screenings from August 14. Before the festival gets under way, take a look at our selection of the 10 best movies to see. Deux Fois. DEUX FOIS Jackie Raynal’s one-of-a-kind 1968 experimental feature aims to bring about nothing less than the end of meaning – and whether or not you feel that task has been accomplished, you won’t see anything else like it at MIFF. Like Word is Out (see below) this is part of a genuinely adventurous retrospective of films made by or associated with collectives, in this case France’s semi-legendary Zanzibar Group.

Jackie raynalZanzibar groupMelbourne international film festivalசான்சிபார் குழுமெல்போர்ன் சர்வதேச படம் திருவிழா

February Books

Le notti bianche (1957) We began this short week with a look at the enthusiastic response to Mark Harris’s Mike Nichols: A Life, and opening this month’s round on new and noteworthy books, we turn to a few more biographies. For a New York Times profile of literary biographer Hermione Lee, widely admired for her books on Virginia Woolf, Edith Wharton, and Penelope Fitzgerald, Charles McGrath spoke recently with novelist Julian Barnes who recalled the day that playwright and screenwriter Tom Stoppard approached Lee and asked her if she might consider making him her next subject. When she asked why he’d set his sights on her, he replied, “Because I want it to be read.” When

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Jackie Raynal talks about a life in movies - Artforum International

Jackie Raynal, Deux Fois (Twice Upon a Time), 1968, 35 mm, black-and-white, sound, 65 minutes. Jackie Raynal, the French director, editor, and former programmer of New York’s Bleecker Street and Carnegie Hall cinemas, first became involved in film when, riding through Paris on a Vespa in 1958 at the age of eighteen, she was stopped and asked to be an extra in Otto Preminger’s Bonjour Tristesse. Six years later, she was the youngest head editor in France. She later became a key member of the storied Zanzibar Group, whose films anticipated and then mourned the events of May 1968. Deux Fois , Raynal’s stark, elegant 1968 directorial debut, is made under its sign. This work, and her later New York films, are streaming at Metrograph through February 17; New York Story

Carnegie hallNew yorkUnited statesFrance generalNew mexicoSan franciscoAndy warholOtto preminger bonjour tristesseSid geffenGary indianaSylvina boissonnasArthur rimbaudJackie raynalEric rohmerSerge bardJanique vigier