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Transcripts For LINKTV Al Jazeera World News 20130227

With additional nding from these foundations and individuals and by and the annual Financial Support of hello, im john lithgow. Welcome to american cinema. American romantic comedies are bright, witty, silly and loaded. In 1934, the Motion Picture it haened one night broke Hollywood Records and won 5 academy awards. Its appeal was in its modern version of romance, which played with certain acts. That same year, the Motion Picture production code was instituted which explicitly prohibited certain acts, themes words and implicatio. The code didnt mean you couldnt have romance. It meant there were limits. Writers enjoyed testing the limits, changing a battle of the sexes into a playful intrigue that turned on double meanings and double dealings, launching a dede of fasttalking romantic comedies known as screwball. Some of the most elegant actors and actresses in hollywood did their best work making wisecracks and taking pratfalls proving the battle of the sexes is best as a battle of equa

Transcripts For LINKTV Witness 20130228

And by and the annual Financial Support of hello, im john lithgow. Welcome to american cinema. American romantic comedies are bright, witty, silly and loaded. In 1934, the Motion Picture it happened one night broke Hollywood Records and won 5 academy awards. Its appeal was in its modern version of romae, which played with certain acts, themes, words and implications. That same year, the motion piure production code was instituted which explicitly prohibited certain acts, themes words and implications. The code dnt mean it meant there were limits. Writers enjoyed testing the limits, changing a battle of the sexes into a playful intrigue that turned on double meanings and double dealings, launching a dede of fasttalking romantic comedies known as screwball. Some of the most elegant actors and actressein hollywood did their best work maki wisecracks and taking pratfalls proving the battle of the sexes is bt as a battle of equals. From the screwball comedies of the 30s and 40s to their res

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ALLAN ARKUSH ON WORKING WITH LOU REED, MALCOLM McDOWELL AND LEE VING ON CULT CLASSIC 'GET CRAZY'