In 1959, the very year the Cuban Revolution amplified Cold War tensions in the Americas, museumgoers in the United States witnessed a sudden surge in major exhibitions of Latin American art. Surveying the 1960s boom of such exhibits, this book documents how art produced in regions considered susceptible to communist influence was staged on U.S. soil for U.S. audiences.
Held in high-profile venues such as the Guggenheim Museum, the Walker Art Center, MoMA, and the Art Institute of Chicago, the exhibitions of the 1960s Latin American art boom did not define a single stylistic trend or the art of a single nation but rather attempted to frame Latin America as a unified whole for U.S. audiences. Delia Solomons calls attention to disruptive artworks that rebelled against the curatorial frames purporting to hold them and reveals these exhibitions to be complex contact zones in which competing voices collided. Ultimately, through multiple means including choosing to exclude artworks with readi
An Analysis of Argentina s Economy After World War II Free Essay Example
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Terence Gower: The Good Neighbour
The Canadian artist s exhibition, offering a critical analysis of contemporary Mexican society, is open from May 12 through July 17.
On view from May 12 through July 17, 2021
Curated by Aimé Iglesias Lukin
Press Preview: By appointment.
New York, May 10, 2021 Americas Society presents
Terence Gower: The Good Neighbour, a solo exhibition focused on the Canadian artist’s relationship with Mexico since the early 1990s. The exhibition offers an overview of his work from his arrival in Mexico City in 1993 to his involvement with the city’s bustling international art scene, dubbed the “multinational Mexican underground” by Olivier Debroise.
Following his formation in the photo conceptual scene in Vancouver, Gower arrived in Mexico and began researching Mexican modernism. He focused particularly on architecture to deconstruct traditional dichotomies of design and craft, of high and low culture, and the role of social class in
Terence Gower: The Good Neighbour On view:
May 12 through
Americas Society presents
Terence Gower: The Good Neighbour, a solo exhibition focused on the Canadian artist’s relationship with Mexico since the early 1990s. The exhibition offers an overview of his work from his arrival in Mexico City in 1993 and his involvement with the city’s bustling international art scene. Following his training in photoconceptualism in Canada, Gower’s arrival in Mexico connected him to new aesthetic ideas, which allowed him to deconstruct traditional dichotomies of design and craft, and high and low culture. Created in the context of increasing globalization following the NAFTA agreement, his work from this period is a critical analysis of contemporary Mexican society, as well as the history of conceptualism in the Americas.
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