Come on come on, come on, what are you staring for . Come on robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. Come on, ray. A director and actor find a story at the right time and the right place. And out comes this amazing combination of cinematic virility and absolute fear. Its like watching an animal. I think raging bull is a great title and the film fulfills the promise. The reality of the boxing and the great slow motion, all the Black And White gore. The violence of the flashbulbs going off. When he designed the movie, marty purposefully, he didnt put a clutch on the film. Theres no clutch. Hey, ray, never went down, man. You never got me down, ray. Raging bull is a boxing movie for people who dont like boxing because its really not about that. Its about this man, jake lamotta, who was based on a real person, whos really at war with himself. Come on. Harder. Harder. I didnt really understand boxing, but the character was interestin
drama about a man who s wrestling with his dad s legacy, who feels like he has to be phony in front of all these military guys he s trying to impress. it s really a movie about masculine performance. tom cruise s decisions post- top gun really tell you who he is and who he wanted to be. you re some piece of work. i m some piece of work. you re also a natural character. i ve been telling her that. you know, i got natural character. no. that s not what i said, kid. i said you are a natural character. you re an incredible flake. paul newman and tom cruise had the old and the new. this was kinda like a sequel to the hustler. let s see some heavy legend action here. paul newman in character, he s a hustler. he s always going to hustle. what if he takes this young kid under his wing and corrupts him, and then he gets hustled? i showed you all i got. i showed you my ass in here. now what the [bleep] else you want? that s it!
i ve been telling her that. i have natural character. that s not what i said, kid. i said you are a natural character. you are an incredible flake. tom cruise, had the old and the new. this was the sequel to the hustler . paul newman s character, he s a hustler. he s always going to hustle. what if he takes this young kid under his wing and corrupts him? and then he gets hustled? i showed you all i got. what the hell else do you want? that s it. that s all! tom cruise is terrific. newman finally gets an oscar for it. tom cruise has a very specific agenda in his career, to spend the 80s working with the best directors he can find and so he s going to work with scorcese and barry levinson. i m not going to go back to cincinnati. you don t have to go to cincinnati to pick up boxer shorts. what did i say? kmart. you hear me, i know you hear me. you don t fool me with this
jingoistic action movie, but the movie tom cruise was making is about a man wrestling with his dad s legacy and feeling phony aaround all of of these military that he s trying to impress. it s really a movie about masculine performance. his performance post top gun tells you who he was and who he wanted to be. some piece of work. you also have natural character. i ve been telling her that. i have natural character. that s not what i said, kid. i said you are a natural character. you are an incredible flake. paul newman and tom cruise had the old and the new. this was kind of the sequel to the hustler. paul newman s character, he s a hustler. he s always going to hustle. what if he takes this young kid under his wing and corrupts him? and then he gets hustled? i showed you all i got. what the hell else do you want? that s it. that s all! tom cruise is terrific. newman finally gets an oscar for it.
it s reading right. look. you also have natural character. you re not reading it right! i ve been telling her that. five meters, man! four! what the hell? i have natural character. that s not what i said, kid. i said you are a natural character. jim is a real innovator and you are an incredible flake. real artist. tom cruise, had the old and i didn t he said, you know, the new. this was the sequel to the hustler . it s hard to do two because you ve shown him, the alien. so i m going more military. paul newman s character, he s a hustler. he s always going to hustle. [ screaming ] james cameron doesn t get what if he takes this young kid under his wing and corrupts him? and then he gets hustled? i showed you all i got. what the hell else do you want? enough credit as a screenwriter, that s it. as well. that s all! aliens is a template of how to write a great blockbuster. tom cruise is terrific. newman finally gets an oscar for it. my mommy says there s no