i cuss gratuitously. subject matter is another story. this is gonna be a good show. are there any subjects that are never appropriate for humor? people say a good comedian doesn t have to cuss. and i thought, now that s [bleep] rubbish. how dirty is too dirty? why is all that so funny? i don t know. what you re about to hear is going to shock and disgust you. if you choose to go blue, you ve got to do it right. dirty for the sake of dirty, there s nothing worse than that. you must promise me something. you won t get me in any trouble on the show tonight. [ cheers and applause ] listen, i will be cussing tonight. now, just so s you know. no, i will. i will. don t [bleep] oh me. not allowing an artist to use the word [bleep] is like not allowing a guitarist to use the chord e. it s possible to play the instrument, but why the [bleep] would you bother? now don t wave your finger at me! you knew when you got here there d be cussing. the last thing co
the tables have turned. the idea that jokes aren t funny, it s still very much a thing. there are some people who can t get their heads around what they don t know. i said i wanted to be a comedian, she said, maybe it s better if you just died. i think they thought of women as a different species. for view ladies are capable of being a comedian, so everybody sticks by them. here s somebody that thinks they do it. this is a great argument that women are doing much better work than men. you re welcome. when was the hardest what s the hardest part about being a female comedian? what would you guess? well, it s the rape. [ laughter ] i have a deep camaraderie with tough, hard core, funny ass female comedian apps because it s been a long road for all of us. what would make a woman turn from a decent think like housewiving or cashiering in a five and dime store or dental hygiene? and turn her to comedy as a korea? it s definitely easier now. but back the
what have we always said is the most important thing? breakfast. family. family. yeah. family is key to the sitcom mama! it s something that we all can relate to. shake, shake, shake up the in these people s homes for years. you re a part of the family. one good thing about moving here is i have no friends and no distractions. that s why i got all grandma, what does fonzie say? hey. the family sitcom brings people together in a really unexpected way. there s so many different dynamics at work in families. i want you here. it will give us a chance to get reacquainted. that implies we are acquainted at one point. there s a lot of pain. a lot of laughter. you sort of recognize your dynamic in there and go well, their family s just as crazy as mine. i don t care who kissed who and who s got a pimple on her head and who is wearing an outrageously inappropriate dress. we are going to get together and act like a normal family for one tenth of
if you couldn t hear rachel, all she said was awe, that was cute. rachel: little kid absoluting in his fatigues. pete: yeah you can them almost spot on fatigue. we want to see the patriotic school photos and e-mail at friends@foxnews.com. good morning. summer is almost over. second to last. you have to say it because you savor that in the process. it jumps up and it s over. rachel: you like fall because you like football. pete: i like summer and i don t like summer ending like anybody else. you want to go out on top if you can go out. we did a kicking competition. pete: in what i might have to say is probably will go down as the least objective standard for victory flat configuration fox & friends history. just random? pete: just a very wonderful kids 11 and under coach deciding on a kick into the net who the winner was. i got to say it was will. rachel: what i loved about that win, you ve won many trophies, but you ve never had a team of 11 year-olds surround you. wi
idiot is watching it. at this point in time, what is known as the platinum age. our obligation is to entertain and if we have something to think about, so much the better. television should not be just entertainment. charges were leveled at commercial television networks. congress has no right to interfere with the media. you have a responsibility to give the audience what it tendon to say. for years, the 60s, which end in a few hours have a reputation which is not entirely justified. some things got worse, obviously, but tv news coverage is better, not worse, we developed more demanding standards. when i look at the tv, i think of the 70s. what is this world coming to? the american public was hungry for more. mort was allowed than had been before. it was the last decade where it was a camp fire television, there was one in the living room. i m going to watch an all- black show for a change. where will you find one? here s one. young people were