we re going off! can you hear me? i don t want this anymore. i want to go home! to me one of those writers at his strongest when working with the right director. had he and michelle get together you really see what he can do. what? there you are. eternal sunshine of a spotless mind amakes you feel good about hollywood. it s not always the lowest common denominator. sometimes something smart and unusual can stand out. i love you. maybe in montauk. that s a film that bleeds in love. the naivete of believing in love and at the end comes to a resolution maybe true romance is agreeing that yours relationship s going to be difficult. jack twist. your folks stop in anis?
ooh. please let that be the end of your speech. what is going on here? why isn t anybody ready? the photographer is here. and my big fat greek wedding i grew up so surrounded by love and prns and aunts with misstash mustaches telling me when to get married and when to have a baby and then i realized i could write a story about t. i m good. smack you like a chicken! i thought we would be shown in greek church basements and then i couldn t believe we got released in theaters. everyone, this is ian. ian! they re calling it the little movie that could. my big fat greek wedding has been a big, fat hit at the box office this summer. oma! the top grossing romantic comedy and independent film of all-time. oh! you so beautiful! she was able it turn her charming one-woman show into a global phenomenon. i mean, what s not to aspire to
heartbreak that comes along with that freedom was really exquisite. will i end up where i think only god really knows there were two scenes. penny lane dancing to the wind, cat stevens song. on the floor of the empty arena. that felt like the soul of the movie. also, the scene where they re on the bus singing tiny dancer as a way of kind of bringing the band back together. hold me closer tiny dancer i have to go home. count the headlights on the highway you are home. lay me down what i love about cameron is that he is a deeply devoted fan of film, and the best of his films are because of the way he studied them and the love that he has for the craft. and i think almost famous is his best example of that.
supervise i ve officers. five problems, you can be number six if you act right. training day is a small film without denzel s presence. the energy he brings to ta alonzo character makes him really hard to take your eyes off of. 49, 998. shots fired. officer down. repeat, officer down. 5951 baxter street. congratulations, son. you re going to get a medal of valor for this i. didn t shoot it. the cop said you did, but i didn t. you did. every scene there from the first day was the reason why i want to make movies. i was just so into watching these two guys performance i forgot to yell cut sometimes and they would just keep going. play the player. i m you res shoot me. don t do it.
a clue as to his dramatic side. you start seeing that side of him more. he is playing a celebrity. playing a well-known movie actor but one who is sort of dead inside. and the friendship she strikes up with this younger woman brings him back to life, in a way. i don t want to leave. so don t. stay here with me. we ll start a jazz band. that movie and his performance in particular i was very relieved to see a comedian doing that. when you actually get more out of the human being that is a comedian, it s fascinating. my name is joel bearish, and i m here to erase. jim carrey is out of his mind. great in that film because he is a great comedian and a great star. he has every conceivable tool actors have and knows how to use each one at their right level.