if you write romantic comedies and movies about women? a secret? i m trying to organize a prison break. i m looking for, like, an accomplice. we d have to first get out of this bar. then go to the hotel and then the city and then the country. are you in or are you out? i m in. lost in translation after the virgin suicides it s beautiful. lost in translation she tells the story that is so distilled and personal and universal at the same time of the lonely woman missing her husband in the hotel and this extraordinary friendship that she strikes up with the character played by bill murray. times. make it centouri time. cutto, cutto!
stars become for a while the most dependable element in movies, which is why their salaries go up and also changes the whole context of movies, because the power balance in movies changes. come on. i m good. it changes from an industry that at first was studio driven and then was director driven to an industry that is star driven. i have by changing the balance is changes the kind of movies we get. ones that ultimately centralize the star. training day. show you around. you get a taste of the business. 38 cases pending trial. 250 on the log i can t clear.
movies are fantasies movies. just the fantasies of different people. someone s having a party tonight. usually women of a certain age and their fantasies are ones we don t often get to see on the big screen. no! you re not. oh, yes i am. i am having an affair, agnes adler s husband. oh! ah! you have traditionally ma masculine males who listen and learn from their female counterparts. see? too much. okay. good enough. that s an irresistible message to the female audience. on my wedding night, tula, my mother, she said to me, greek woman, we may be lambs in the kitchen, but we are tigers in the bedroom.
and you have to say, call. it look, i need to know what i stand to win? everything. how that? you stand to win everything. call it. all right. heads, then. well done. the coen brothers are incredibly evocative because their purposely, i think, trying to bust up the norm. their true grit an absolutely perfect motion picture. running them cheap shells on me again. i thought were you going to say the sun was in your eyes. that is, to say your eye. you ve got filmmakers who begin in the late 80s or 90s just determined to always make the movies they want to make. as much as studios game control and as much as money becomes a
given up. inglorious bastards, the bad guys in history lose. we have a singular ability to write movies that were often very violent but they were also rerching old movies while completely re-inventing the form and making it possible for audiences to find them accessible and entertaining, and that s really hazard to do and did it over and over again. he continues to do it. yo! you son of a [ explosion ] he s the guy who s the talk of the town with trestless role of a car company?