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Science fiction is largely a projection of our own fears about ourselves, and in these two exhibitions of graphic works and several choice sculptures, Bhabha plays with the struggle to enter into the minds of our ancestors, as well as the unpleasant acknowledgement of a creepy pseudo-fascism or impulse to domination that seems to inhere in a great deal of archaic art.

Mexico cityDistrito federalNew yorkUnited statesWalt kellyDavid zwirnerHuma bhabhaViewdavid zwirnerNational museum of anthropologyNational museumEven stones have eyesMaybe nothing everythingNothing fallsNothing maybe everythingStones have eyesWhat should