I wanted to interview Gina Ford, one of the most divisive figures in child rearing, 25 years on from the publication of her bestseller, The Contented Little Baby Book, to ask her how she galvanised an entire demographic of parents.
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I once famously (infamously) proclaimed that
not happy. But I stand behind that statement. While I do love
Avatar: The Last Airbender with my entire being, I still think
The Legend of Korra is the better series. And when I watched
The Legend of Korra again for the umpteenth time (this time on the super cool Steelbook collection that comes out on March 16th), I got an even bigger appreciation for the show from all the behind-the-scenes facts I learned on all the special features and commentaries, which appear to have been carried over from a previous home video release of
July 7th, 2015
The advent of streaming music services has been a godsend for anyone whose appetite for music exceeds the contents of their wallet. No longer are those obscure 12” Throbbing Gristle LPs doomed to spend their life in the dehumidified basement of Paul Morley. Instead, the likes of Spotify and Tidal act as a sort of benevolent cultural democratiser, dredging entire back catalogues to the surface and granting instant muso status to anyone with a spare tenner a month. But whilst the likes of
Stereogum chew over the classics again and again, there’s whole swathes of digital flotsam that go largely ignored. These are the barnacles caught in the net, records that made their peace with the sea-bed long ago but now squirm uncomfortably in the glare of our retina-display screens.