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Medio siglo sin Louis Armstrong, la leyenda que cambió al jazz
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Ben Goldberg, le pluriel de la clarinette
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Jazz on Film: A Woman’s Place is In the Groove Share
For much of the history of jazz, this has largely been the deal. If you’re a cute woman who can sing, there’s a place for you on the bandstand. If you can play the piano, maybe there is room for you as well. But leave the real instruments, the soloing and all the rest to the men. For all the freedom and liberation that has been intimately associated with the history of Jazz, the struggles of women to find and secure their rightful places in the music has been an ongoing untold story. Eight years in the making, Judy Chaikin’s documentary
Musiker und Autor Sven Regener über Jazz: „Musik spricht Gefühle an
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PSO’s Louis Armstrong tribute a Roaring ’20s redux
The streaming concert features jazz musician Byron Stripling, who believes we re on the brink of another cultural renaissance.
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Byron Stripling performs the music of Louis Armstrong with the Portland Symphony. Armstrong’s audacious music was a product of the roaring 20s. Stripling thinks the next Louis Armstrong will emerge in years ahead.
Photo by Sean Turi, courtesy of Portland Symphony Orchestra
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Byron Stripling has a hunch the 2020s will yield music and art that people a century from now will revere and cherish. Just as we look back at the Roaring ’20s of a century ago as a time of cultural swagger with the emergence of jazz, Art Deco and enlightened sensibilities, the people who follow us will treasure what we’re about to create.