us. her lighting is extraordinary and one of the things that you get out of the piece is she is constantly m miked. she is wearing a microphone in order to catch any question from a reporter that she will then use against the reporter and then put it online it s a whole other level of campaigning. correct. i ve never seen anything like it in covering campaigns on either side of the aisle. she has a small microphone that maybe you or i would notice but who else would and it is not connected to the mic system in a room or an event. it is connected to a camera that s actually operated by her husband. who is a camera person from the station. who is a camera person from the station and owns a production company and he s also the person who designed that home studio you just saw in the clip. with incredible lighting. with the lighting, the gauzy
kari lake is also the subject of a fascinating subject of the washington post, i am joined by the author that piece, elaine creamer. her lighting is extraordinary, and one of the things that you get out of the piece is that she is constantly mike, she s wearing a microphone at all times, even when not on television. in order to catch any questions from a reporter that she will then use against the reporter, and then put it online. it s a whole other level of campaigning. correct, i ve never seen anything like it and covering campaigns another side of the aisle. she has a small microphone in the ear that maybe you or i would know this, but no one else would. and it is not connected to the mic system in a room, or at an event. it is connected to a camera that is actually operated by her husband. who is a camera person from the station. who is a camera person from the station, and owns a production company. he s also a person who designed that home studio you saw that
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