About 150,000 Serbs protested peacefully, but “Masked attackers broke into the U.S. compound and tried to throw furniture from an office,” The Associated Press reported. “A blaze broke out inside one of the offices and parts of the facade also caught fire.” One person died. A rioter.
Fast forward a 12-year lunar calendar cycle to Ashli Babbitt and three other Capitol protesters making up four of the five dead, and see the same befuddlement by Democratic lawmakers, media, intel, voters and governors all feigning innocence and outrage at the incursion, after pulling a fast one with an unheard-of universal mail-in election that would make it impossible to ever know who really won in 2020.
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With ceaseless, snarling brutality, the Texas post-hardcore trioâs second album finds a new level of confidence to express the pointlessness of existence.
Remember the cautious optimism of February 2020? Texas trio Portrayal of Guilt buried it under a flood of flesh-melting sludge called âThe End of Man Will Bring Peace to This Earth.â Nine months later, they commemorated New Yearâs Eve with a filmed live performance titled â2020 Will Burn in Hell Forever.â Their second LP arrives at a queasy time, when most resolutions are already abandoned andâmonths into a pandemicâarbitrary points on the calendar feel more arbitrary than ever. But it doesnât matter if the glass is half full, half empty, or just something to smash against a wall: On