eduardo: with madame lynch. anthony: madame lynch was fond of, uh, things like french, uh, couture. eduardo: yes, yes, and that changed the way of dress in asuncion. anthony: madame lynch might ve been good for business. i m trying to put this at a light i could be enthusiastic about. like, how clearly forward thinking my relatives were. his customers, as a hat maker, the very people who treated madame lynch with such utter contempt. did they live in the colonial homes, the old mansions that we see still in asuncion, that type of residence? eduardo: yes. anthony: times were changing in south america, too, in those days and society ladies craved the latest in haute courant french fashion. there was money to be made, there w- eh, bump. peter: short after this episode with the new bordeaux group came the triple alliance war. anthony: jean bourdain died in 1858.
anthony: oh, really? eduardo: yeah. anthony: okay, interesting. eduardo: yeah. your family, your grandfather jean bourdain came to montevideo following the son. anthony: okay, the facts as i know them so far, i think, are this. my great-great-great-granddad jean, his son, also named jean, came to montevideo, uruguay to live with his uncle. eduardo: 1850, jean bourdain moves to asunción. natalia: this is the document that we have showing him arriving. anthony: there he is. eduardo: in that time, he worked with, eh, chapelier. with ? natalia: with a hatmaker. anthony: hat maker? i m pretty sure he said hat maker. which, i have to say, disappoints me, like, a lot. natalia: and here you see chapelier. anthony: the whole elusive wing of mysterious south american bourdains were project runway contestants of their day? eduardo: in 1855, lópez s son arrived to asunción. anthony: right, with madame lynch?
so, was he ever a hatmaker? was this a cover job? was he a hatmaker, slash arms are all these local researchers, historians, and geniuses on the money here? was great-great-great-grampy an arms dealer? so what hat maker needs two hundred tons of gunpowder? hundred tons of gunpowder? i ve got you now jean bourdain. i ve got you now. or was he simply a party supplier selling fine french hats and little firecrackers to school kids? i don t know what to believe. peter: and in 58, unfortunately he died. anthony: right. peter: and he was buried here. two miles from here in recoleta. anthony: mm-hmm. peter: the rich people s cemetery. anthony: yeah.
also known as little amsterdam has big plans for it she has culture capital what we want to discuss with the rest of europe is all common problems that we have in europe about biodiversity climate change their poverty i don t like mince. the language. over three hundred events. and the surrounding area. arts and culture is the backbone of society and we re showing that by the people through the people. little martin is celebrating its most famous citizen masha hari the exotic dancer style icon cortisone and spy was born in a friesian town in thousand nine hundred seventy six the daughter of a hat maker. everybody knows the name of the hari involved never knew she was also a child growing openly or had to cope with the force after her marriage she was a mother then we tried to explain that story all. the exhibition matter hari myth
disappoints me, like, a lot. natalia: and here you see chapelier. anthony: the whole elusive wing of mysterious south american bourdains were project runway contestants of their day? eduardo: in 1855, lópez s son arrived to asunción. anthony: right, with madame lynch? eduardo: with madame lynch. anthony: madame lynch was fond of, uh, things like french, uh, couture. eduardo: yes, yes, and that changed the way of dress in asuncion. anthony: madame lynch might ve been good for business. i m trying to put this at a light i could be enthusiastic about. like, how clearly forward thinking my relatives were. his customers, as a hat maker, the very people who treated madame lynch with such utter contempt. did they live in the colonial homes, the old mansions that we see still in asuncion, that type of residence? eduardo: yes. anthony: times were changing in south america, too, in those days and society ladies craved the latest in haute courant french fashion. there was