genealogists around the world and the history of your family is very interesting. anthony: oh, really? eduardo: yeah. anthony: okay, interesting. eduardo: yeah. your family, your grandfather jean bourdain came to montevideo following the son. anthony: okay, the facts as i know them so far, i think, are this. my great-great-great-granddad jean, his son, also named jean, came to montevideo, uruguay to live with his uncle. eduardo: 1850, jean bourdain moves to asunción. natalia: this is the document that we have showing him arriving. anthony: there he is. eduardo: in that time, he worked with, eh, chapelier. with ? natalia: with a hat maker. anthony: hat maker? i m pretty sure he said hat maker. which, i have to say, disappoints me, like, a lot. natalia: and here you see chapelier. anthony: the whole elusive wing of mysterious south american bourdains were project runway contestants of their day? eduardo: in 1855, lópez s son arrived to asunción.
anthony: oh, really? eduardo: yeah. anthony: okay, interesting. eduardo: yeah. your family, your grandfather jean bourdain came to montevideo following the son. anthony: okay, the facts as i know them so far, i think, are this. my great-great-great-granddad jean, his son, also named jean, came to montevideo, uruguay to live with his uncle. eduardo: 1850, jean bourdain moves to asunción. natalia: this is the document that we have showing him arriving. anthony: there he is. eduardo: in that time, he worked with, eh, chapelier. with ? natalia: with a hatmaker. anthony: hat maker? i m pretty sure he said hat maker. which, i have to say, disappoints me, like, a lot. natalia: and here you see chapelier. anthony: the whole elusive wing of mysterious south american bourdains were project runway contestants of their day? eduardo: in 1855, lópez s son arrived to asunción. anthony: right, with madame lynch?
disappoints me, like, a lot. natalia: and here you see chapelier. anthony: the whole elusive wing of mysterious south american bourdains were project runway contestants of their day? eduardo: in 1855, lópez s son arrived to asunción. anthony: right, with madame lynch? eduardo: with madame lynch. anthony: madame lynch was fond of, uh, things like french, uh, couture. eduardo: yes, yes, and that changed the way of dress in asuncion. anthony: madame lynch might ve been good for business. i m trying to put this at a light i could be enthusiastic about. like, how clearly forward thinking my relatives were. his customers, as a hat maker, the very people who treated madame lynch with such utter contempt. did they live in the colonial homes, the old mansions that we see still in asuncion, that type of residence? eduardo: yes. anthony: times were changing in south america, too, in those days and society ladies craved the latest in haute courant french fashion. there was
eduardo: yeah. your family, your grandfather jean bourdain came to montevideo following the son. anthony: okay, the facts as i know them so far, i think, are this. my great-great-great-granddad jean, his son, also named jean, came to montevideo, uruguay to live with his uncle. eduardo: 1850, jean bourdain moves to asunción. natalia: this is the document that we have showing him arriving. anthony: there he is. eduardo: in that time, he worked with, eh, chapelier. with ? natalia: with a hat maker. anthony: hat maker? i m pretty sure he said hat maker. which, i have to say, disappoints me, like, a lot. natalia: and here you see chapelier. anthony: the whole elusive wing of mysterious south american bourdains were project runway contestants of their day? eduardo: in 1855, lópez s son arrived to asunción. anthony: right, with madame lynch? eduardo: with madame lynch. anthony: madame lynch was
worked with, eh, chapelier. with ? natalia: with a hat maker. anthony: hat maker? i m pretty sure he said hat maker. which, i have to say, disappoints me, like, a lot. natalia: and here you see chapelier. anthony: the whole elusive wing of mysterious south american bourdains were project runway contestants of their day? eduardo: in 1855, lópez s son arrived to asunción. anthony: right, with madame lynch? eduardo: with madame lynch. anthony: madame lynch was fond of, uh, things like french, uh, couture. eduardo: yes, yes, and that changed the way of dress in asuncion. anthony: madame lynch might ve been good for business. i m trying to put this at a light i could be enthusiastic about. like, how clearly forward thinking my relatives were. his customers, as a hat maker, the very people who treated madame lynch with such utter contempt. did they live in the colonial homes, the old mansions that we see still in asuncion, that type of residence? eduardo: yes.