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Graham Massey (808 State): Using The Internet For Communication
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Debut and
Post, the coming-of-age albums of the now 55-year-old Icelandic musician Björk, are a great showcase of the kind of mark she is leaving, with each song, on the world of music.
When her punk-rock band, the Sugarcubes, dismantled in late December 1992, Björk took her talents to London and embarked on a solo career where she immersed herself in the culture of the place and took inspiration from the city’s underground club scene.
Debut and Post were most certainly a move away from the alternative rock sounds of the Sugarcubes.
Her move to the UK was a creative decision and a step she felt needed to be taken to progress her sound. “I just had to follow my heart, and my heart was those beats that were happening in England. And maybe what I’m understanding more and more as I get older, is that music like Kate Bush has really influenced me. Brian Eno. Acid. Electronic beats. Labels like Warp. And if there’s such a thing in pop music as a Music Tree, I see myse
Silo art trail trademark battle over who owns the right to use phrase
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Silo art on GrainCorp-owned silos at Brim in regional Victoria.
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The nation s largest grain handler and a small council in rural Victoria are locked in a trademark battle over three little words that define some of the most monumental public art created in rural Australia in the past decade.
Key points:
The Yarriambiack Shire is seeking permission to trademark the three-word phrase silo art trail
Australia s largest grains handler GrainCorp has lodged an application opposing the trademark
In 2017 Yarriambiack Shire delivered 400 pages of legal argument to IP Australia, the national agency responsible for trademarks, staking its claim to the phrase silo art trail .
October 9th, 2011
Over the last two decades Björk has established herself as pop music’s preeminent innovator, a fearless and restless proponent of the avant-garde whose discography defies the staid categorisation of genre. When DiS Kevin Perry meets her on a summer afternoon in West London they talk about her new album
Biophilia, about education, about feminism and Lady Gaga’s outfits, about why she’s like carrot soup and tequila and Coldplay are like chips and sausages , about political activism and aluminum mining and even about the lack of punk spirit in proprietary software, a topic she acknowledges she probably shouldn’t talk about.
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