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Moze Halperin on The Sign in Sidney Brustein's Window - Artforum International

A CRAMPED LIVING ROOM appears like a diorama of 1960s Greenwich Village bohemia, afloat in the engulfing expanse of the Harvey Theater’s stage. It contains all the warmth and ire and humanity that get bottled up in a typical New York apartment: a whole world unfolding with nowhere to go. The chasmic darkness of America waits just outside its cozily art-covered walls.Incendiary optimism, depicted as a necessity in life and politics, suffuses Lorraine Hansberry’s The Sign in Sidney Brustein’s Window (1964), staged this past February and March by Anne Kauffman at the Brooklyn Academy of Music in

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The Sign in Sidney Brustein’s Window Returns to New York Six Decades after its Broadway Premiere

The BAM Harvey Theater revival of Lorraine Hansberry s The Sign in Sidney Brustein s Window, a panorama of early 1960s West Village bohemia, the Bushwick of yesteryear, offers its talented cast many opportunities to show their comic timing, though the production cannot overcome the play s flaws entirely.

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